Here is a very simple, unedited version of my review for the Cathedrals show.
Originally posted in Post Defiance (postdefiance.com, go look and see, this site is a Tacoma gem). Though there it has been edited by someone far more eloquent than I. The edited version is better. See for yourself. I like editors~though I love to write I'm notorious for my fragment sentences and choppiness.
Thank you editors for all you do.
Photos provided by Poetic Spectre Imaging (find her on Facebook). As I've said before and will again and again, she is a divine spirited woman and a helluva photographer.
Last weekend marked the second installation of Tacoma's
Cathedral Shows brought to you by Aaron Stevens and the Broadway Center of
Performing Arts; live singer songwriter's crooning alongside the Passenger
String Quartet included Kevin Sur, Pretty Broken Things and David Bazan.
Upon entering the Immanuel Presbyterian Church I was
immediately taken with the space. The summer sun, still bright in the early
evening, shone through the stained glass windows as we took our seats to the
sold out show. The use of a sacred space for the sake of entertainment sounds
blasphemous but when it comes down to it the event is far more than that. It's
a unity of community personalities joining together regardless of spirituality or
background to drink in sounds of our local creative culture. As Stevens put it
when kicking off the show, "It just feels like a really good night for
Tacoma just being itself."
Kevin Sur, accompanied by the Passenger String Quartet
opened the show. Sur's gravelly voice almost woos the audience with his indie folk
vibe. Of playing with the Passenger String Quartet in a church Kevin Sur stated
that it "alters your perspective of how you view your own songs." It
was as though Sur and the Quartet were serenading each other, each strumming a
note in response to one another.
Following Sur's set the quartet played a solo entitled
"The Berlin Patient". The songs title is based off of a news story
that composer Joslyn had heard with regards to an AIDS patient having been
cured thanks to a bone marrow transplant. The composition conveyed an almost
hopeful melancholy but also reminded me that this show was not just about music
in a church. It was about telling stories using a diversified voice. All those who performed, Sur and Bazan in
particular, were sharing intimate glimpses into their life through their craft,
heightening the experience of those who attended. Sur expressed this sentiment
during his set when he said, "Thank you for wanting to be out of your
house and experience this and share it with us."
Pretty Broken Things filled the cathedral with their epic
peaks and sing-song valleys when taking the stage next. Fronted by Katie
Costello, the real magic comes from the group dynamics. Costello says of her
band mates that she was given a gift when looking to "sucker some people
into being her back-up." Though Costello's breathy vocals lay the
foundation of each song, the group reaches an almost fervent pitch when the
group joins in with their harmonizing violin and vocals in unison with guitar thumping, hand clapping and foot
stomping rhythms encouraging the audience to do the same.
The headliner of the evening was the legendary David Bazan, formerly of Pedro the
Lion. His lyrics are almost a narration of poetry, like a scab picked off
leaving a sore to face the elements, a
testament to the human condition. He referred to his songs all as "
offensive and bummers" at some point and rightfully so. In the midst of
said "bummers" he sprinkled in humor and a down to earth
approachability that dissolved the angst of his raw words.
Twice during Bazan's set he interrupted and asked the
audience if they had any questions. The inquiries began with a lighthearted "Have you ever
wanted to have dreadlocks?" which he replied with a humorous, "Back
in high school, but it takes too much non-work work.....I'd eat the
honey." To really important ones like, "What life lessons would you
give your children based on your day today?" to which he responded with an
"Empathy and self discipline, and they'd have to be cool. Not hip cool,
just not jerks." And even delved deeper into his stance on religion and
how it inspires his creativity. Which was perhaps the most appropriate given
his former religious viewpoints and the location of the show. He spoke of his
past work as "very naive expressions of a former viewpoint". Weaved
among hits from both his days with Pedro the Lion and solo work Bazan included
"Hallelujah," saying that this song wasn't about what many believed
it to be, "unless God is a girl and also doesn't exist. Which is
possible."
David Bazan finalized his set with "Strange
Negotiations" backed by the Passenger Quartet. This performance in itself
really highlighted the marriage of Andrew Joslyn's compositions and the
performers. It was as though the composition reflected David Bazan's feelings
brewing and stirring just below the surface. The players throughout the show
weaved classical properties and complimented the modern songwriters creations,
this was most clear with Bazan's set.
It was like a
religious experience for those who place their faith in the arts and music. A
compelling and unique experience for those who support the Tacoma scene with
their presence and set in an unconventional venue. The third installation won't
be until Friday, November 16th, with artist to be announced but you can
purchase your tickets now for a mere $16.
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Who's feet were these? I love this shot. |